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As you do. In , Hunnam talked about striking balance in sex scenes. Who can forget the episode of Sex and the City where Samantha Kim Cattrall finds a young farm hand and has sex with him in the barn?

No one, that's who. Because it's been etched in our eyeballs for all eternity. And it was so epic. And they're like, 'Dude, this is the fourth season.

Masters of Sex has plenty of hot and steamy scenes to choose from, but one of the most graphic and, well, scientific of the series came when Lizzy Caplan's Virginia Johnson and Michael Sheen's William Masters have sex for science while hooked up to monitors.

Our show is about sex and intimacy. Most shows are about other things. Maybe dragons? Yes, we already have Jon and Ygritte on this list, but honestly, there's another GOT love scene that absolutely deserves inclusion on the ground of gorgeousness alone: The tender sex scene between Missandei Nathalie Emmanuel and Grey Worm Jacob Anderson.

These characters have had one of the greatest emotional arcs on the series and when they finally made their relationship physical, it was perfection.

In its third episode, American Gods wowed audiences with a sex scene that was at once touching, empowering, and tender.

The scene, between a young Middle Eastern man named Salim Omid Abtahi and a god called the Jinn Mousa Kraish , was sexy, sensual, and everything else you could want it to be.

It was important for us in this depiction to have Salim drop to his knees and prepare to achieve sex the way he'd been accustomed to, and the Jinn lifts him off of his knees and kisses him and treats him much more soulfully and spiritually to change his perception of who he is and what his sexual identity has become.

That felt like it was empowering in a different way, showing a protagonist as the one who is being penetrated.

That comes with all sorts of preconceptions of gender roles and what it is to be a gay man at the same time. Talk about breaking taboos.

While Marnie Allison Williams and Desi's "anilingus" scene isn't exactly the definition of "graphic and gorgeous" we've included it here because it was SUCH a huge moment in on-screen sex.

Sure, there are no rules on HBO, but Girls took things to the next level with this honest depiction of intimacy. And no, the actor who played Desi Ebon Moss-Bachrach was nowhere close to doing the real thing.

You wouldn't know; it's total TV magic. The sexual tension between Offred Elisabeth Moss and Nick was through-the-roof during The Handmaid's Tale , and it was all the more potent thanks to the themes of female sexual repression in the show.

When the two characters finally gave into their physical desire, it was completely glorious—not to mention beautifully filmed.

This society is so terrified of female pleasure specifically, so these moments of reprieve are important. That scene was simple to shoot [because] it was more primal than anything else I worked on.

Mike [Barker, the director] is uniquely gifted to shoot such scenes—he's a man with no filter. And Lizzie [Moss] and I are very close and trust and respect each other.

It's was a very effective combination of people to tackle a scene like that. During its first season, Westworld went all in on a glamorous, gold-painted orgy scene.

The scene was one of the most talked about during the show's explosive debut season and drew comparisons to Stanley Kubrick's Eyes Wide Shut.

When asked if there was ever concern that the scene went too far, co-executive producer and supervising director Richard J.

Lewis told The Hollywood Reporter , "I think all of us have a modicum of taste that keeps us from taking it too far into the pornographic world and keeps it in the sensual world.

I think that's important. Buffy and Spike's relationship is one of the most controversial on the series and in mainstream television history, for that matter.

It was doomed from the start and culminated in a hard-to-watch scene of sexual assault that, for many, tainted the entire coupling.

And yet Buffy and Spike's first "love" scene deserves inclusion on this list for its graphic depiction of sex that served a purpose other than romance for the show's female lead, which was actually pretty subversive in the early aughts.

In the scene, described by some as sadomasochistic, Buffy and Spike literally destroy an abandoned building while doing the deed.

Not everyone was a fan, of course, including Sarah Michelle Gellar. Shameless has given the world a lot like, a lot of amazing sex scenes over the years, but Season 1's kitchen sex scene between Fiona and Jimmy will always be iconic.

Emmy Rossum, who played Fiona Gallagher for the show's first nine seasons, also happens to think the scene is important for showing a side of sex not often presented on screen.

And also, I feel like, as an adult, a lot of how you feel about yourself and what your inner workings are can be revealed in a sexual situation.

When it comes to sex on TV, maybe no show has embraced the very real and often not romantic realities of the act more than FX's You're the Worst , which kicked things off in its pilot with a sex scene that set up the entire series.

Does it help the story? Or is it just goddamn entertaining? We clearly started off season one with a strong sex scene between two strangers who became the leads on our show.

The sex scene between Luke Cage and Misty Knight is pure fire in all of the best ways. Seriously, there could be no wrong with a sex scene starring these two.

I know where you work. We can keep this casual. Game of Thrones has had its share of sexy, sexy love scenes over the years, and its final season has been no exception.

Fans were shocked but also pretty into it when fully-grown Arya Stark took charge and let her longtime crush and fellow sexy adult human Gendry know that she wanted to get it on.

And everybody else has already done it on the show, so… " Maisie Williams, who plays Arya, said of the scene during an EW interview. You want people to act more normal.

A poor girl must choose between the affections of dating her childhood sweetheart or a rich but sensitive playboy. Danny and Bernie are two single men living their lives on the wild side.

But when Danny meets Debbie at a bar and the two start a relationship with a one night stand, Danny's life takes a different turn.

How does this passionate night become a full affair and what effect will this relationship have on both people and their friendship with their best mates?

This movie is extremely entertaining and moving. Neither Demi Moore nor Rob Lowe has ever looked better and you get to see plenty of them. The last scene never fails to get me, and the whole movie rings incredibly true on being in love.

Hell, Demi Moore even looks and acts like a girlfriend I had when I was a little bit younger. This is a funny, smart movie that stays with you forever, and I will pay it the ultimate compliment: We are lucky it was made.

Vastly underrated on this site, About Last Night is a ten. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

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A man and woman meet and try to have a romantic affair, despite their personal problems and the interference of their disapproving friends.

Director: Edward Zwick. Available on Amazon. Added to Watchlist. From metacritic. Major Comic-Con Home News.

Top 25 Romantic Comedies. Use the HTML below. You must be a registered user to use the IMDb rating plugin. What a "Night"! Which is your favorite?

That Wasn't the Name of the Book October 13, Rating: 0. View All Critic Reviews Jun 20, The kind of movie that brings out the romantic in me and breaks my heart in the same proportion, depicting love and commitment with absolute sincerity and how all the conflicts and lack of real communication can sabotage a relationship and lead to certain discontentment.

Carlos M Super Reviewer. May 22, I like how there's something awkward about this film's title, which is still not as awkward as the original play's title, "Sexual Perversity in Chicago".

That's such a general title that I'm expecting this to be some kind of an extensive epic or something that studies on the depths of depravity within Chicago Zwick never made the most broad-scale epics, but it is odd to see him start out with a film of such light subject matter.

Hey, plenty of big filmmakers started out with films this fluffy, or at least they did in the '80s, the era from which this film ever so obviously hails.

I mean, seriously, it's Rob Lowe and Demi Moore, ladies and gentlemen, so does it get to be any more of a s rom-com? Well, at least this film was a fair success, and a fair debut for Edward Zwick, even though this film does prove that Zwick really was never without some fault.

I have a lot of admiration for the overwhelming wit that pretty much defines the film which is sharper than your usual rom-com fare, up until that sharpness cuts as too clever for its own good, shaking the believability in certain dialogue pieces, and often getting to be annoying in its busy edge.

Of course, about as, if not more questionable of a trait within Tim Kazurinsky's and Denise DeClue's script is melodrama, which is so distancing, not just because it's not as grounded as it perhaps should be to resonate, maybe even cheesy, but because it's a betrayal of the genuineness Oh, those montages set to cheesy '80s pop kind of made me ill that makes certain areas of this film so special.

There's something refreshing about this clever and, in a lot of ways, mature romantic dramedy, and that makes it all the more aggravating when genuineness lapses, often accompanied with originality, whose conventional elements beget a bland sense of predictability that is admittedly thinned down simply by storytelling's taking so long to reach expected destinations.

It's hard something fierce to look at this film's story concept and runtime of almost two hours and not fear dragging, and make no mistakes, the concern is just, for the final product drags its feet time and again, and not even with filler, fleshing out more and more material to the point of repetition, with only so much liveliness to filler.

Of course, once aimlessness goes broken by filler, all of that cleverness takes yet another fierce blow by some sort of laziness that, in addition to inspiring a sense of tonal inconsistency, obscures potential that was always to have a certain transparency to it.

No matter how worthy the film's subject matter is, or at least appears to be when approached with an edge and maturity that most films of this nature don't even have the decency to incorporate into their basic narrative idea, this is something of a thin, perhaps fluffy story concept that limits potential, further limited by both overambition and laziness to the execution.

The film is ultimately underwhelming, more so than it could have been, but it still does enough right to endear, even in concept.

I just now got done griping about how this film might have stood a chance of transcending underwhelmingness, if it wasn't for natural shortcomings to a story concept that is still worthy, having a certain genuine uniqueness and maturity to its approach to an age-old tale of struggles in relationships.

While potential is limited, it stands firm for a romantic dramedy, done justice partly by Edward Zwick, whose debut directorial performance shows some areas that need work, and other areas - say, melodramatic ones - that would go on to never be mended in Zwick's storytelling style, but also has a style to such aspects as Harry Keramidas' snappy editing to sustain pretty thorough entertainment value and a sense of wit through all of the moments of overt thoughtfulness.

Of course, when all of that snap settles and leaves substance to go unfiltered by fluff, where the drama could have easily blanded up, it finds material to draw upon and resonate with, resulting in highlights that, to be honest, are a little more visible in the storytelling efforts outside of those of Zwick.

Stronger than Zwick's direction is a script by Tim Kazurinsky and Denise DeClue that is itself flawed, but defines the wit of this film as much as anything, having an extreme cleverness to its dialogue that, while a little unlikely and annoying at times, bites on the whole, while thoroughly amusing at times, until all of the clever, perhaps even gutsy fluff goes punctuated by a defiance of melodrama through an audaciously realistic approach to very real conflicts.

There are truly powerful moments in this film, and although the path to those moments are lacking in weight, they're rich with wit, and even well-rounded characterization that paints generally believable and charming, if somewhat obnoxious leads, brought to life by the most consistently strong aspect.

The performances never fail, with Jim Belushi, as the typical charmingly loud buddy, and Elizabeth Perkins, as the typical flawed, yet still know-it-all gal pal, impressing in their sheer charm, while leads Rob Lowe and Demi Moore drive the show, with dynamite chemistry, and engaging individual charm, punctuated by dramatic beats that are truly powerful.

Up until those dramatic highlights, Lowe and Moore capture a sense of evolution in lover who grow as individuals and with each other, sometimes to dark areas, and such effortlessly effectiveness from the leads reflects a competence that I wish was more prevalent in this minimalist and sometimes misguided film, but nevertheless joins many an attribute in establishing a sense of inspiration that drives the final product as charming and often moving, if generally improvable.

Cameron J Super Reviewer. Oct 13, A very honest and accurate portrayal of a young couple's first attempt at a serious, commited adult relationship.

Rob Lowe and Demi Moore play lovers in their early 20's, each with their own ideas of what love means. Some good moments which ring true when the main characters realize that living together is much more complicated than dating.

Ultimately, they both own up to their mistakes and realize how naive they were. Not a great film by any means, but captures the feeling of learing about commitment very well.

Jim Belushi is fun as Rob Lowe's best friend. Mark H Super Reviewer. Jul 18, While considered must see in its time its basic consideration why buy the cow if you can get the milk for free?

What's left are naked, anguished leads considering marriage while their buds vote "no" on the sidelines. I sadly kept waiting for the buds to hook up unfortunately.

Kevin M. W Super Reviewer. See all Audience reviews. Bernie Litko: The problem with red heads is lack of pigmentation. Danny Martin: They're almost albino.

Bernie Litko: You bang albinos? Danny Martin: No! Bernie Litko: Well I have. They're nuts! View All Quotes. Video Game Movies Ranked.

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About last night sex scene

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